In our daily travels, we encounter enormous quantities of information. This information comes to us in many forms, and often in combinations. Our brains filter and record visual, aural, olfactory, tactile, and emotive input constantly. Thousands of these inputs help to define our experiential map of place and space we exist in.
These projects are art-as-mapmaking or art-as-data-collection. They are an attempt to record and preserve a very small and particular slice of my experiential input.
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